Hers is a classic story of an ugly duckling who
turned into a swan. Liv Tyler- a former chubby brace-face, by her
own account- started modeling at fourteen after puberty delivered
some decided improvements to her physique and family friend Paulina
Porizkova succeeded in coaxing her out of her baggy blue jeans long
enough to pose for some portfolio Polaroids. Topping off at over
five-foot-ten, and endowed with blazing blue eyes, flawless porcelain
skin, and coltish limbs, Liv was a natural at aping sultry sophistication
and, within just a few months, began decorating such fashion magazines
as Seventeen and Mirabella. While shooting a commercial on location
in the stifling, mosquito-infested Amazon the following year, Liv
somehow decided she wanted to act more than anything else. Not long
after that, an agent read about the intriguing lass in an article
in The New York Times concerning children of the rich and famous,
and Liv was officially "discovered." Her first feature role was
as the older sister of an autistic boy in the Bruce Beresford straight-to-video
drama Silent Fall (1994); Liv went 0-for-2 with her less-than-memorable
follow-up film, Empire Records (1995). The film was such a stultifying
experience for the neophyte that she nearly abandoned acting altogether.
But Liv persevered, and rebounded nicely with a role in the low-budget
indie film, Heavy, and a break-out performance in famed Italian
director Bernardo Bertolucci's Stealing Beauty.
Liv was the toast of the 1996 Cannes Film Festival,
where Stealing Beauty was entered in competition. French critics
ooh-la-laed over the young actress, nicknaming her Liv Taylor in
deference to that other nubile young brunette starlet who rocked
the Continent decades before. Bertolucci's sentimental opus tells
the coming-of-age story of a young American naif summering at a
Tuscan villa who attempts to a) lose her virginity, and b) discover
the identity of her father. The quest-for-deflowering story line
aside, the film's plot most certainly struck a chord with Liv, whose
own search for her father's identity is the stuff of a rock ballad.
The love child of an eight-month-long relationship
between former Ford model, Playboy Playmate, sometime singer, and
rock groupie Bebe Buell and full-lipped Aerosmith frontman Steven
Tyler, little Liv grew up believing that her mother's long-term
boyfriend, rock musician Todd Rundgren, was her father. After all,
her birth certificate said so. An early backstage introduction to
Tyler at a Rundgren show, however, planted a niggling suspicion
in her ten-year-old brain, and a subsequent encounter at an Aerosmith
concert with Tyler's daughter Mia, who was like a rubber stamp of
Liv, prompted the curious young girl to confront her mother about
the subject of her paternity. Buell confirmed that the Jagger-esque
rocker was indeed her biological father, and Liv subsequently adopted
the name Tyler as her own by her twelfth birthday. She has since
remarked shruggingly of the whole situation, "It was the seventies."
Liv is most definitely the product of newfangled
parenting. A permissive upbringing by Buell, who unashamedly discusses
with anyone who will listen her free-wheeling rock-chick love experiences
with the likes of Mick Jagger, Elvis Costello, Jimmy Page, David
Bowie, and Rod Stewart, nevertheless conferred upon Liv a remarkably
level head. To give credit where it's due, though, Buell evidenced
quite a savvy business head when it came to managing the early stages
of Liv's modeling and acting careers. She had the foresight to steer
her daughter away from a proffered lead in the sexploitative embarrassment
Showgirls, and lapsed in sound judgment only when it came to Liv's
appearance with rival teen goddess Alicia Silverstone in her father's
now-classic music video for Aerosmith's "Crazy" in 1994. By virtue
of her sassy romping about in a silver bra, Liv became an instant
sex symbol- a "video vixen"- to a slavering following of what her
mother calls "psychos." Who would have guessed? As for Steven Tyler,
he and his progeny have become fast friends in the years since their
rapprochement- in fact, one of their favorite things to do together
is to have "slumber parties" at which they swap beauty tips and
give each other facials. Says Tyler of his contribution to Liv's
personhood (apart from the obvious legacy of his lip genes and more
teeth than nature intended for any creature but a shark to have),
"What she inherited from me was just the great art of being herself."
Liv's next acting triumphs came in Tom Hanks's directorial
debut, That Thing You Do!, in which she played the groupie-girlfriend
of a small-town band circa 1964, and in Pat (Circle of Friends)
O'Connor's Inventing the Abbotts, in which she played another small-town
sweetheart. She gamely entered the big-budget arena in 1998, co-starring
with Bruce Willis and Ben Affleck in Disney's Armageddon. Future
projects for the rising young star include: Jake Scott's Plunkett
& Macleane; and Onegin, a film adaptation of the classic Alexander
Pushkin novel that will star Ralph Fiennes in the title role. |